Upcoming solo exhibition: 

#Day25000

Opening at {POEM88}

30 June 2018

 
 
  Pressed for credentials, he sketched his bona fides, with notes...   16.5"x11.5"; ink on paper; 2018

Pressed for credentials, he sketched his bona fides, with notes...

16.5"x11.5"; ink on paper; 2018

 
 

Create, record, reflect – Knot theory as a quantum string dynamic
 

On June 30, 2018 the artist will reach 25000 days of life (deo volente).

The artist will present a body of work to celebrate and remember those 25000 days. Knotted strings and ropes record every day of each year of the artist’s existence, a passage of time now counting in its sixty-ninth year. Each of 69 strands of string, knotted to record the number of days, is a recovered timespace.

 

 

Other forthcoming group exhibitions

 
 
  Light Corner - Interior Walkabout - Out & Back Again   20"x20"; archival digital prin, acrylic mounted; 2017  Exhibited in (forthcoming) 2018,   31st September Competition   - Alexandria Museum of Art, Alexandria, LA

Light Corner - Interior Walkabout - Out & Back Again

20"x20"; archival digital prin, acrylic mounted; 2017

Exhibited in (forthcoming) 2018, 31st September Competition - Alexandria Museum of Art, Alexandria, LA

 

 
  #Granary Door - Storehouse of Knowledge   48"x18.5"x2"; found wood panels, found pencils, string, rope, dye, varnish  Exhibited in (forthcoming) 2018   Creative Explorations in Mixed Media Exhibition   - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

#Granary Door - Storehouse of Knowledge

48"x18.5"x2"; found wood panels, found pencils, string, rope, dye, varnish

Exhibited in (forthcoming) 2018 Creative Explorations in Mixed Media Exhibition - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

 
 
  #Granary Door - Pendant Lure   48"x28"x7"; found boards, found wood, found objects, string, rope, dye, varnish  Exhibited in (forthcoming) 2018   Creative Explorations in Mixed Media Exhibition   - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

#Granary Door - Pendant Lure

48"x28"x7"; found boards, found wood, found objects, string, rope, dye, varnish

Exhibited in (forthcoming) 2018 Creative Explorations in Mixed Media Exhibition - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

  #Granary Door - Twin Talisman   26"x6"x5"; found board (split), found copper, reclaimed nails,  rope, dye, paint  Exhibited in (forthcoming) 2018   Creative Explorations in Mixed Media Exhibition   - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

#Granary Door - Twin Talisman

26"x6"x5"; found board (split), found copper, reclaimed nails,  rope, dye, paint

Exhibited in (forthcoming) 2018 Creative Explorations in Mixed Media Exhibition - South Cobb Arts Alliance, Mable Hoouse Arts Cengter, Mableton, GA.

 

 
  Stele - 1 Stick, 1 Log, 1 Post   20"x20"; archival digital print, acyrlic mounted; 2017  Exhibited (forthcoming) in 2018   THREE   - Attleboro Arts Museum, Attleboro, MA

Stele - 1 Stick, 1 Log, 1 Post

20"x20"; archival digital print, acyrlic mounted; 2017

Exhibited (forthcoming) in 2018 THREE - Attleboro Arts Museum, Attleboro, MA

 

 

Prior Exhibitions

 
 
  #Day24738 - 9 States of Being, #PsignToPsymbol   24"x24" (intended digital print); found wood, paint, ladder; views of changing installation, each set approx. 8'x15'; 2017  Documentation of Installation   Psign to Psymbol: an archaeology of art. In Psitu   - 170 Ottley Dr. NE, Atlanta, GA

#Day24738 - 9 States of Being, #PsignToPsymbol

24"x24" (intended digital print); found wood, paint, ladder; views of changing installation, each set approx. 8'x15'; 2017

Documentation of Installation Psign to Psymbol: an archaeology of art. In Psitu - 170 Ottley Dr. NE, Atlanta, GA

 

 
  #DAY24584 - "Eye sea tell tales"   22"x18" (framed); pen & ink, color pencil on paper; 2017  Exhibited in   30th National Juried Exhibition   - South Cobb Arts Alliance Gallery, Mable House Arts Center, Mableton, GA

#DAY24584 - "Eye sea tell tales"

22"x18" (framed); pen & ink, color pencil on paper; 2017

Exhibited in 30th National Juried Exhibition - South Cobb Arts Alliance Gallery, Mable House Arts Center, Mableton, GA

 

 
     Running Man   18"x15"; archival digital print, acrylic mounted; 2017  Exhibited in 2017   REMIX   - Ann Arbor Art Center, Ann Arbor, MI   see review

 

Running Man

18"x15"; archival digital print, acrylic mounted; 2017

Exhibited in 2017 REMIX - Ann Arbor Art Center, Ann Arbor, MI

see review

 

 
  Stele   15" x 15" color digital archival print, acyrlic mounted, 2017  Exhibited 2017,   Art Vandenberg: STELES   - {Poem88}, Atlanta, GA (part of CORRESPONDENCES Series)   See Review

Stele

15" x 15" color digital archival print, acyrlic mounted, 2017

Exhibited 2017, Art Vandenberg: STELES - {Poem88}, Atlanta, GA (part of CORRESPONDENCES Series)

See Review

 

Quantum differentiation shield 

24.25" x 30" framed; pen & ink on double notebook paper; 2015

Exhibited in 2016, Sense of Place - Gertrude Herbert Institute of Art, Augusta, GA

See review

KIMONO: Kinetic, information modulated objective neuron self-organization (space-time continuum fabric)

24.25" x 30" framed; pen & ink on double notebook paper; 2015

HONORABLE MENTION, National Juried Competition: Works On Paper-2016Long Beach Island Foundation of the Arts and Sciences, Long Beach Island, NJ. 

See review


Past encrypts future/future decrypts past

37.5"x29" framed; pen & ink on paper

Exhibited in 2016,  Metro Montage XVIMarietta/Cobb Museum of Art, Marietta, GA

Deep Dive

2013 (Pen & ink, color pencil on paper; 32.5"x47.5")

Exhibited in 2015, Sprawl! Drawing Outside the Lines - High Museum of Art, Atlanta, GA (Purchased with High's Antinomy Fund, 2015.150 a-c)

See review

 

Browse series


Psign to Psymbol: an archaeology of art

The Past is merely the Future that has passed by this moment of NOW.

 
... and as the artifacts are found they speak to me of what my personal perceptions are and then become a foil against which I can measure my progression. In a sense none of this is new or unknown/ everyone must exercise somewhat the same kind of selection and choice. In this sense one could wave off the following excerpts from my memory as just so much more fodder on the road to wisdom and the prospect of having to read, much less understand, the complexities that the author has chosen to elaborate, could possibly exhaust any of the tolerance that is expected. For the key to this map is none other than that is unimportant that any of it even be read. A mere weighing of the material in hand will suffice to demonstrate the gravity of the same. And there is enough levity in the undertaking to lay to rest any fears concerning the unknowable.
— p. iv, Vandenberg, Arthur
 

Thesis, Georgia State University, 1979. Available at: scholarworks.gsu.edu/art_design_theses/169